At the age of 21, Cesc Abad was forced to abandon his artistic career and take over the family business due to his father’s sudden death. For 20 years, he worked in secret behind a fake wall in his office, a space known simply as “the wall” to his employees. Only his family and a few close friends were aware of what he was doing behind that wall. After living a double life for many years, Abad decided to sell his companies in 2016 and dedicate himself exclusively to his artistic career.

Cesc Abad’s practice is marked by a constant evolution of styles, with each one leading to the next. In his latest series, which could be described as Neo-Renaissance, he revisits a the old  masters from the Cinquecento, such as Rogier van der Weyden and Giorgione. This choice is not just a nod to art history but also a deliberate move to slow down and reconnect with the essence of our relationship with nature. In a world overloaded with images and communication moving at a rapid pace, Abad’s research to Renaissance painting is a deliberate step back to move forward, echoing the approach of artists like Kirchner and Nolde from the Die Brücke movement in Berlin, who found inspiration in the old masters to forge new paths forward.

A central theme in Cesc Abad’s work is the relationship between humans and animals, highlighting the consequences of our actions in the animal realm.

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